With an “impeccable touch” (Star Tribune), Richard Goode, the SPCO’s newest Artistic Partner, delves into the drama of Mozart alongside more intimate chamber works.
With an “impeccable touch” (Star Tribune), Richard Goode, the SPCO’s newest Artistic Partner, delves into the drama of Mozart alongside more intimate chamber works.
With an “impeccable touch” (Star Tribune), Richard Goode, the SPCO’s newest Artistic Partner, delves into the drama of Mozart alongside more intimate chamber works.
This genre-blurring chamber music program offers a rich, rhythmic blend of the soulful, the contemplative and the inventive. From Romantic, lyrical string trios to contemporary works of propulsive beats and bold musical colors, this program flows like a conversation across time and culture, beginning with Antonín Dvořák’s Terzetto for Two...
Grief, sacrifice and untimely death born of war. This program reflects on heavy themes that transcend time, featuring the SPCO debut of baritone Roderick Williams.
Grief, sacrifice and untimely death born of war. This program reflects on heavy themes that transcend time, featuring the SPCO debut of baritone Roderick Williams.
Grief, sacrifice and untimely death born of war. This program reflects on heavy themes that transcend time, featuring the SPCO debut of baritone Roderick Williams.
A soloist and a symphony! The SPCO’s ever “superb” (New York Times) violinist Eunice Kim takes center stage in an impassioned violin concerto, paired with Beethoven’s first symphony.
A soloist and a symphony! The SPCO’s ever “superb” (New York Times) violinist Eunice Kim takes center stage in an impassioned violin concerto, paired with Beethoven’s first symphony.
A soloist and a symphony! The SPCO’s ever “superb” (New York Times) violinist Eunice Kim takes center stage in an impassioned violin concerto, paired with Beethoven’s first symphony.
A very Baroque program grounded in the music of Bach, his English contemporaries and 20th century British composers. Plus, a very special piece that harkens back to our very first concert in 1959.
A very Baroque program grounded in the music of Bach, his English contemporaries and 20th century British composers. Plus, a very special piece that harkens back to our very first concert in 1959.
A very Baroque program grounded in the music of Bach, his English contemporaries and 20th century British composers. Plus, a very special piece that harkens back to our very first concert in 1959.
A bold, expressive journey through music inspired by Latin American folk and dance traditions, culminating in a passionate solo by Principal Violin Kyu-Young Kim.
A bold, expressive journey through music inspired by Latin American folk and dance traditions, culminating in a passionate solo by Principal Violin Kyu-Young Kim.
